Tag Archive - aged pearl inlay

That’s one very large floor tom…

August 25, 2010 in Drums, General Updates, Reader's Drum Pictures with 3 Comments

I just completed work on a 20" floor tom and I couldn't be more happy with the results. It's huge, it's beautiful, and it sounds like a cannon going off (or at least what I think a cannon sounds like, because I have actually never heard a cannon going off.)

This was a fun build for me. This was the first time I had ever had wood burning done on a drum, and also the first time that I used Ego's rounded claw that actually attaches to the bass drum hoop. (I'll be adding a "How to Install Attachable Bass Drum Hoop Claws" section in the book soon!) You may wonder why I used bass drum hoops as opposed to flanged hoops…well if you can find me a pair of 20" 8 hole black chrome hoops I would love to know where they are. I searched everywhere for them, but no one carries or makes them.

Here are some pictures from the building process.

20 inch floor tom with black pearl inlay and wood burning

I wish I could say that I had burned that design onto the drum, but I'm pretty sure no one wants me to mess up their drum shell with my drawing/burning skills.

huge custom floor tom drum on the dirty shop floorI know, I need to sweep my shop floor. There is sawdust from cutting 3" inlay strips into 7 drums, and bearing edges on 3 drums.

Ego Rounded Claw for bass drum hoopsI really like the look of these attachable drum claws, however there are some installation tips that need to be addressed if you have never worked with them before. All of the tips I picked up on from using these hoop claws will be added in the the "How to Make Custom Drums" bonus section in the next week or so.

counter sunk screw keeps your bass drum hoop flush
These counter sunk screws are barely noticeable from far away, and they are flush with the inside of the bass drum hoops.

Completed 20 inch custom bass drum shell made into a floor tomNot a very good quality photo (camera phone), but this is the finished product with my badge attached.

I have been extremely busy the past month, and have slacked on keeping my readers up to date in the drum building community. For that I apologize and I will try to do a better job! I have lots going on in the shop these days so I should have plenty to talk about on here. I am in the process of building a studio kit that will be very much like this floor tom, except it instead of the black pearl inlay it will have aged white pearl inlay, and instead of black chrome all around it will be just chrome hardware. It will have tube lugs and hoop claws. 10", 12", 14", 16" and 20" kick. Here is a picture of my progress so far:

my custom drum set that I am building

What I Learned On My Recent Drum Build

April 12, 2010 in Drum Building 101, Drum Building Tutorials, Drums, General Updates with 1 Comment

Every time I build a new custom drum or custom drum kit I learn something that can usually help me improve upon a similar drum set the next time around. Each new drum I build gets better and better and I find more efficient ways to do some of the drum building tasks. Most recently I completed this drum set:

Black stain inlay custom drum set high gloss

The drum building tip I picked up from building this drum set has to do with the order of the steps that I apply the inlay strip and finishing process. For this drum set I:

  1. Cut the inlay groove
  2. Applied about 4 coats of black stain
  3. Installed the inlay strip
  4. Sealed and gave a high gloss finish

Now, from looking at pictures of the drums and even looking at the drums up close you would never be able to tell what I did wrong. (not really wrong…but I will do this differently on the next drum kit that has an inlay that I build)

Here is what the aged pearl wrap looks like up close:

Aged Pearl Wrap for a custom drum set

Look great right? Well I used some very nice tung oil for the high gloss finish for this kit and tung oil (along with other finishing products such as lacquer) tends to yellow or  “amber out” over time. Since I installed the inlay strip before I finished the drum, the inlay with also be included in the “ambering out” that is already starting to happen to this kit. This isn’t necessarily a bad thing. In fact this amber color is often desired by many custom finishers. If you’ve ever seen a vintage guitar that has discolored over time you’ll know exactly what I’m talking about!

In conclusion the main lesson I learned from building this drum set was this: If you like the original color of whatever inlay strip you decide to use,  you should mask the area where your inlay strip will go, finish the entire drum, and install the inlay once your finish is complete to prevent your strip from “ambering out”!

I hope this helps some of you builders venturing into the world of inlay! If you have any questions or comments feel free to leave them below. I would love to hear what you have to say!